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c.1900 Small Swiss Gilt-Bronze Gorge Cased Minute-Repeating Carriage Clock.
| Inv. #: |
G130 |
| Retailer: |
Golay Fils & Stahl, Geneve. |
| Case: |
The diminutive gilt-bronze gorge-style case has beveled glasses to five sides and a hinged handle above. |
| Dial: |
The finely lettered white porcelain dial has Arabic numbers for the hours, gilt minute marks, steel spade hands, a gilt mask and is signed by the retailer, 'Golay Fils & Stahl. Geneve'. |
| Movement: |
The silvered eight-day two train movement strikes on two coil springs, has screwed pillars, layered plates, is wound and set off the backplate, still retains the original lever platform, is stamped 'Brevet 13896 56' along the lower edge of the backplate, has a repeat button above and a shut off out the bottom with, 'pull out for silence/ tirer pour silence' engraved on the falseplate. It strikes half grand-sonnerie while running and repeats the hours, quarters and minutes upon demand. |
| Notes: |
This piece is interesting for both its diminutive size and the fact the complex striking is driven by the strike barrel and does not incorporate a plunger system as found on most of the Swiss pieces. It is a half grand-sonnerie while running which means it strikes the quarters and hours on the half hour, but not on the quarters like a full grand-sonnerie. |
| Size: |
4.125 in. (w/out handle) |
| Retail Price: |
On Request. |
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c.1915 Rare Swiss Lever Escapement Model.
| Inv. #: |
G129 |
| Maker: |
Omega, 7. |
| Movement: |
The high quality straight lever escapement model has shaped brass plates, shaped silvered-brass screwed posts, brass wheel-work on heavy steel shafts, a brass anchor with hardened steel pallets, a club-tooth escape-wheel and two banking posts. The impulse roller has a polished steel impulse pin that is regulated by a screwed aluminum balance wheel with a flat steel hairspring. The going barrel is housed in the shaped aluminum base and is wound from below. It will run approximately 10 hours on a wind. |
| Notes: |
Each of the individual pieces are stamped with a '7'.
The engraved Omega name on the top plate is in a font that was used by the Omega Watch Co. from 1907-1927.
This escapement model was accompanied by an applied plaque engraved with 'R A Brown'. The jewelry firm 'R A Brown' was located in a prestigious retail area of St. Paul, MN in the beginning of the 20th century. |
| Size: |
9.25in. Long 4in. Wide 3.5in. High |
| Retail Price: |
On Request. |
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c.1810 Japanese Striking Lantern Clock on Hardwood Stand.
| Inv. #: |
DF77 |
| Maker: |
Unsigned |
| Case: |
The Persimmon wood stand has a stepped base raised on shaped feet, columns to the corners and a removable hood with hinged sides and front. |
| Dial: |
The rotating dial has a sunken center, an elaborately fretted steel-cut hand, adjustable engraved, silvered numbers with the traditional characters representing two sets of 9-4 and two apertures for the sexagenarian calendar. |
| Movement: |
The partial day time and strike weight driven movement has a textured front plate, steel wheelwork and plates, a single foliot with adjustable timing weights, torsion striking on a large bell and two brass covered weights. |
| Notes: |
For similar examples see: 'Japanese Clocks' by Mody.
This piece originally had an alarm mechanism. |
| Size: |
44 in. |
| Retail Price: |
On Request. |
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c.1840 Japanese Miniature Traveling Timepiece in Persimmon Wood Case.
| Inv. #: |
G131 |
| Maker: |
Unsigned |
| Case: |
The shaped Persimmon wood case has finely cut molded edges, a brass handle above, a drawer for the key, glazed sides and slide out front and back doors. |
| Dial: |
The rotating dial has a turned sunken center, an elaborately fretted steel-cut hand and adjustable engraved, silvered numbers with the traditional characters representing two sets of 9-4. Above is a small calendar aperture with a silvered and engraved disc. |
| Movement: |
The one day movement has finely turned pillars, circular plates engraved with chrysanthemums, a fusee gut and a brass balance platform above with a brass balance wheel and steel spring. |
| Notes: |
For similar examples see: 'Japanese Clocks' by Mody, plates 67, 68 and 69.
There is an old Japanese paper label on one side. |
| Size: |
4in. (w/out handle) |
| Retail Price: |
On Request. |
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c.1925 Swiss Marble, Silvered Bronze and Sterling Silver Mystery Turtle Clock.
| Inv. #: |
G128 |
| Maker: |
E. Gubelin, Lucerne. No. 5668. Henin & Cie. M17439 |
| Case: |
The wonderful variegated and solid red marble octagonal case has molded edges and silvered-bronze mounts. |
| Dial: |
The sterling silver tray has engraved Roman numerals for the hours, is stamped by the maker, Henin and Cie, has the serial number 'M17439' along the outside edge and also carries the Minerva stamp indicating the tray is at least .925 silver. |
| Movement: |
The eight-day horizontally mounted time only movement retains the original vertically mounted balance platform, is wound out the top, is set out the side, carries a circular magnet that controls the turtle and is stamped by the maker, 'E. Gubelin, Lucerne, 5668, Thirteen Jewels, 1 Adjustment'. |
| Notes: |
When running the tray is filled with water and the turtle floats as it points to the time.
This is one of the few we've seen with solid silver trays as the vast majority have either been pewter or silvered bronze.
Eduard Gubelin became director of the firm in 1925 and subsequently they began making extremely high quality novelty timepieces.
Henin and Cie was incorporated in 1896.
For other examples with silver trays see:
- Sotheby's, Masterpieces from the Time Museum Sale, Oct. 13, 2004, Lot 613.
- Antiquorum, Imp. Modern and Vintage Timepieces, October 9, 2010, Lot. 164.
Movement will be serviced prior to shipping. |
| Size: |
10.5in. (overall case diameter) |
| Retail Price: |
On Request. |
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c.1880 Rare American World Time Globe Clock.
| Inv. #: |
G126 |
| Maker: |
Juvet & Co., Canajoharie, N.Y. |
| Stand: |
The heavy decorative lacquered brass stand has a turned center, three ball and claw feet surmounted by gryphons, a compass suspended below and a silvered rotational clamp at the top that supports the segmented meridian ring. The easily positioned silvered ring is engraved with the latitudes and supports the globe, the equatorial ring dial in the center and the time dial above. |
| Globe: |
The 12in. terrestrial globe is fabricated from thick wood laminate covered in cloth and then in paper so is very strong and is relatively unaffected by the climate. The map, a special edition of Johnson's Edinburgh maps, is corrected to date and shows in detail the geographical formations, countries, rivers etc. as known in the late 19th century. It also has red lines to show the average temperatures in summer, blue lines to show the average temperatures in winter, an analemma with the equation of time and a circular label with 'Time Globe, Manufactured by Juvet & Co., Canajoharie, NY, USA' in the center and numerous patents around the outside edge. |
| Dials: |
The brass edged steel equatorial ring has paper dials to both sides. Each twenty-four hour dial is composed of two sets of Arabic numbers from one through twelve, Arabic 15-minute marks and time of day and directional indications.
The glass time dial above has a beveled edge, etched and gilded Roman numerals for the hours and decorative brass hands. |
| Movement: |
The large circular time-only spring driven movement is housed in the globe, has layered plates, screwed posts, nicely spoked wheelwork and rotates the globe 360 degrees each day. It is wound by turning the tail of the arrow and is adjusted for fast slow by the thumb screw just above. Mounted between the plates is the the original lever escapement that allows it to run in any orientation, has jeweled and caped pivots for the escape wheel, a steel three arm balance wheel with timing screws and a flat helical balance spring. Mounted to a screwed plate off the front end are four concentric shafts. Two are for the minute and hour hands, one has a screwed, spring collet that causes the globe to rotate and the last secures the globe and carries the arrow head shaped pointer. As stated in both contemporary and modern resources the movements were originally designed to run 4 days. This particular model runs for about 3 days with the loss probably attributable to a decrease in the original springs overall power. |
| Notes: |
Louis P Juvet, 1838-1930, was a Swiss born watchmaker that emigrated to Glens Falls, New York in 1864. He met James Arkel at the Centennial Exhibition in Philadelphia and soon formed a partnership with Arkel and AG Richmond, president of the Canajoharie National Bank in 1879. The factory was located next to the Arkel & Smith bag factory and was relatively successful until a fire destroyed it in October of 1886. Between them they were granted about a dozen patents associated with the various aspects of the globe clocks.
The clocks were highly regarded worldwide, both aesthetically and scientifically. They came in several sizes with differing bases, had celestial and terrestrial globes and because of their accuracy and durability were favorites of libraries, schools and government facilities.
For additional information see:
- 'NAWCC Bulletin', April, 1979, page 127.
- 'NAWCC Bulletin', April, 1980, pg. 180.
- 'Scientific American', Jan. 10. 1880, pg.22.
- 'Knight's New Mechanical Dictionary', 1884, pg.894.
For examples at auction see: 'The Meraux Collection', Sotheby's, 1993, Lots 224, 225. |
| Size: |
12in. (globe) 48.5in. (height) |
| Retail Price: |
On Request. |
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c.1920 Swiss Silvered, Enameled and Ebonized Incline Plane Clock.
| Inv. #: |
G125 |
| Maker: |
E. Gubelin, Lucerne. |
| Dial: |
The silver green guioche and black enamel dial has silver marks for the hours, a cast silver indicator for days of the week, silver hands and is signed in gold 'E Gubelin, Lucerne'. Below is the decorative silvered engraved scale that has days of the week, in English, that are divided into six hour increments. |
| Movement: |
The eight-day time only weight-driven movement retains the original platform. |
| Case: |
The ebonized incline has molded edges and a carved freeze to the front. |
| Notes: |
This is an ingenious design with the earliest example dating c.1600. The idea was later patented by the Marquis of Worcester in 1661 and additional clocks based on similar principles were made by Nicolas Grollier De Servierè.
The weighted dial swivels on the center arbor and always remains vertically oriented as the small pointer below indicates the day and approximate time of day on the scale as it runs. To keep the drum from rolling too quickly a brass bound lead weight compensates for gravity and controls the speed. It will continue to run until it reaches the bottom when to wind one must only place the drum back at the top.
For additional information on Inclined Plane Clocks see Robert's, 'Mystery, Novelty & Fantasy Clocks,' pg.53. |
| Size: |
31in long. |
| Retail Price: |
On Request. |
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c.1880 American Ebonized 'Noiseless Rotary 1' Clock.
| Inv. #: |
G123 |
| Maker: |
F. Kroeber, No.14 Cortlandt Street, New York. |
| Case: |
The wooden ebonized case has a fretted upright, a decorative front with giltwork and a circular base with a large round dome. |
| Dial: |
The black paper dial has brass bezels, gilt Roman numerals for the hours and brass spade hands. |
| Movement: |
The eight-day time and strike movement has brass plates, a rotary escapement and strikes the hours on a gong mounted to the bottom of the base. The silvered pendulum is suspended from above from an adjustable bracket by a silk thread. |
| Notes: |
The original labels are mounted to the underside of the base. |
| Size: |
21.5in. |
| Retail Price: |
On Request. |
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c.1913 American Gilt-Bronze and Malachite Annular Clock.
| Inv. #: |
G119 |
| Maker: |
EF Caldwell, New York. Chelsea, 760316. |
| Case: |
The tiered columnar case is constructed of alternating malachite and gilt bronze platforms, is adorned with numerous gilt bronze elements including caryatids, dolphins, masks and a cupid and is signed by the maker, 'EF Caldwell & Co. Inc., New York'. |
| Dial: |
The circular porcelain dial has black Roman numerals and a minute chapter. |
| Movement: |
The eight-day time only movement is would out the side, set from below, is stamped with the movement maker's name and serial number, 'Chelsea, 76036' and has a typically high grade balance platform. |
| Notes: |
Ref: Edward F. Caldwell and Victor F. von Lossberg established the firm of E.F. Caldwell & Co. in 1901 in lower New York City. They produced a large array of high-end decorative items including lamps and clocks for the most prominent design and architecture firms in the country.
For further information on the company see 'Edward F. Caldwell & Company', Magazine Antiques, Feb. 1998.
All the Caldwell clocks we have seen have used Chelsea, Seth Thomas, Howard or Omega movements with Chelsea and Omega being the most abundant and Seth Thomas and Howard being considerably rarer.
The Chelsea serial number 76036 dates to about 1913. |
| Size: |
20.5 in. high |
| Retail Price: |
On Request. |
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A Very Rare Late Edo Period Massive Ebonized Shaku-Dokei.
| Inv. #: |
G120 |
| Case: |
The massive case has a removable glazed hood with a lift-out front door, a large scale at the front and a drawer for the key in the bottom. |
| Dial: |
The wooden scale is fastened top and bottom by turned silvered thumbscrews. The time is indicated by a silvered fretted hand that is mounted to the weight and points to the temporal hours on engraved silvered plaques as it descends. |
| Movement: |
Mounted to the backboard is the gilt-brass going movement with finely cut and spoked gearwork, turned brass baluster columns at the corners, an elaborately engraved front plate and a brass balance wheel above. |
| Notes: |
The stick clock is pictured beside a normal striking stick clock to give it scale. It is one of the largest stick clocks that we have seen in person or print. |
| Size: |
51 inches tall. |
| Retail Price: |
On Request. |
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c.1860 Pair of Swiss Gilt and Polished Bronze, Steel and Ebonized Wood Escapement Models.
| Inv. #: |
G117 |
| Movements: |
The circular two-day spring driven movements sit within circular ebonized cases with glass domes and are wound out the bottom. On display above are the wonderfully finished escapements, anchor and detent, with flat helical hairsprings, solid three spoke balance wheels and delicate escape wheels with screwed collets. |
| Notes: |
Mounted to the side of the cases are silvered and engraved plaques.
'Échappement De Démonstration A Ancre Travail entierement fait à la main'.
Translated: 'Anchor demonstration escapement made entirely by hand.'
'Échappement De Démonstration A Détente Travail entierement fait à la main'.
Translated: 'Anchor demonstration escapement made entirely by hand.' |
| Size: |
8in diameter |
| Retail Price: |
On Request. |
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c.1950 Italian Lapis and Silver Desk Timepiece.
| Inv. #: |
G115 |
| Retailer: |
Tiffany & Co. |
| Case: |
The rectangular Lapis case has numerous silver mounts that include cast appliques, bezel, base and a decorative back door that is stamped on the edge, '.925, Sterling, Made in Italy'. |
| Dial: |
The engraved silver dial has stylized Arabic numbers for the hours, decorative gold hands and is signed, 'Tiffany & Co'. |
| Movement: |
The eight-day time only watch movement is mounted by thumbscrews to the case and is wound and set out the back. |
| Size: |
6.375 in. |
| Retail Price: |
On Request. |
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c.1840 Japanese Circular Bracket Clock in Glazed Shitan Wood Case.
| Inv. #: |
G112 |
| Case: |
The Shitan wood case has finely cut moldings, engraved fabric lined frets, front and rear lift-out doors and a decorative ormolu handle. |
| Dial: |
The rotating dial has a turned sunken center, an elaborately fretted steel-cut hand and an engraved, silvered chapter ring with the traditional characters representing two sets of 9-4. Below the dial are the apertures for the sexagenarian calendar and above is a third aperture that shows one of two characters manually chosen by flicking a small pin side to side. |
| Movement: |
The one-day movement has turned pillars, elaborate floral engraved circular plates, a brass balance wheel, a fusee on the time side, a going barrel on the strike, a traditional Japanese countwheel and strikes by torsioned hammer on a bell mounted above. The whole sits upon a Shitan wood base with applied moldings and a drawer to keep the key. |
| Notes: |
For a similar clock see Mody’s, plate 64. |
| Size: |
6.25 in. (clock)
8.25in. (case) |
| Retail Price: |
On Request. |
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c.1910 Swiss Gilt-Silver, Enamel and Variegated Marble Desk Clock.
| Inv. #: |
G110 |
| Maker: |
Eterna Watch Co. |
| Dial: |
The gilt hour's chapter has black Roman numerals for the hours, shaped gilt hands and is applied to a wonderful Limoges enamel panel that depicts two winged fairies with instruments. |
| Movement: |
The eight-day time only movement is wound, adjusted for fast/slow and set out the back. The protective cover is stamped '0.925, 2277170, Eterna Watch Co, Swiss'. |
| Notes: |
The Limoges panel is signed in the lower left hand corner by the artist.
In 1905 the company that began as Schild Fréres became the Eterna Watch Co.
The back of the frame is stamped with the appropriate Swiss silver marks including '57146, 0.925, HASE, Geneve, Swiss'.
Limoges panels are keenly sought by collectors who appreciate the unique decorative qualities exhibited in each piece. |
| Size: |
8.75in. |
| Retail Price: |
On Request. |
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c.1900 Austrian Miniature Gilt-Bronze Carriage Clock, J. Nicolaus, Wien, No.17.
Inv. #G104
A very rare miniature gilt-bronze Austrian carriage clock signed J. Nicolaus. The gilt-bronze case has a molded top and bottom with rounded corners and uprights, a geometric hinged handle with canted edges and center and beveled glasses to four sides.
The circular well-lettered white porcelain dial has Roman numerals for the hours, is signed by the maker, 'J. Nicolaus', has two finely cut steel hands and is framed by a silvered mask.
The eight-day time-only movement has silvered plates, a horizontally positioned balance platform above with a lever escapement and screwed bi-metallic balance wheel, is wound and set out the back and is signed and numbered by the maker, 'J.Nicolaus, Wien, No.17'.
The clock still retains its original case and key.
Ref: This is one of the smallest carriage clocks we’ve ever had the privilege to offer.
Height – 2 1/16in.(case only)
Retail Price: On Request.
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c.1924 Swiss Silver, Enamel and Quartz Timepiece, Geneva Clock Co., Retailed by Asprey.
Inv. #G96
A very nice early 20th century miniature Swiss desk clock retailed by Asprey. The gilt-silver case has pink guioché enamel panels, with the engraved designs radiating from a central point, that are bordered by decorative gold bands and white enamel. The plain gilt-silver back has numerous marks that include the import and date marks for England in 1924, ‘JTC’, ‘935’, ‘10258’ and ‘Geneva Clock Co’. It sits upon a molded quartz base with a gilt-silver beaded band.
The oval gilt dial has an engraved center, a decorative silver bezel, diamond-mounted hands, Arabic numbers for the hours and is signed by the retailer, Asprey.
The extremely high quality jeweled eight-day movement is wound, set and adjusted through the shuttered back.
The firm Asprey always offered the highest quality pieces. They rivaled such firms as Cartier and Tiffany and are noteworthy for the consistently superb quality of their pieces.
Height - 2.5in.
Retail Price: On Request.
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c.1925 Swiss Miniature Silver and Enamel Timepiece, Zenith.
Inv. #G99
A very nice miniature enameled silver timepiece. The shaped silver case has lavender guioché enamel on four sides, a striped, hinged back door and has several stamps on the bottom that include 'Argent .925 Sterling Silver' and '15988'.
The finely lettered white porcelain dial has black Arabic numbers for the hours, gold dots for the minutes, steel-cut hands, a plain glazed silver bezel and is signed by the maker, 'Zenith'.
The eight-day time and strike movement is accessed by the hinged back door, has a balance wheel escapement and is wound, set and adjusted off the backplate.
Includes the original key and leather covered case.
Height - 1.75in.
Retail Price: On Request.
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c.1800 Massive Austrian Gesso, Gilt and Patinated Bronze and Gilt-Wood Figural Tallcase Clock, JM Schmit, Wien.
Inv. #G85
A very rare Austrian Louis XVI gesso, gilt and patinated bronze and gilt-wood figural tallcase clock by JM Schmit in Wien. The massive two tone gesso case has a square base with canted corners to the front that supports a clock on a stepped plinth flanked by a nearly full size figure of Urania above. The whole is adorned with numerous gilt-wood moldings and decorative elements that include military trophies on the doors, stylized butterflies to the sides, a pointer, star and large pharaoh and snake appliqués to the chamfered corners. The well-carved figure of Urania, dressed in flowing drapery, casually leans against the plinth and embraces the large blue sphere elaborately decorated with ormolu stars.
The silver engraved chapter ring dial has large Arabic numbers for the hours, Arabic numbers for the five-minute marks, is signed by the maker, ‘JM Schmit, Wien’ and has two very nicely cast ormolu hands.
The high quality eight-day quarter-striking movement is accessed through a hinged door in the back of the sphere, has two brass-bound un-compounded weights, a high quality dead-beat escapement, a pendulum suspended by spring, the screwed beat adjustment on the crutch and strikes on two large nested bells.
Ref: In Greek mythology Urania was the muse of astronomy and astrology. She is usually depicted with a globe in one hand and a peg in her other.
During this time period Napoleon’s campaign had been to Egypt and the treasures with which he returned were both well received and enormously influential on the European decorative arts.
Height - 94in.
Retail Price: On Request.
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c.1910 Patinated, Silvered and Gilt-Bronze Mantle Clock, E.F. Caldwell.
Inv. #G90
A rare early 20th century elaborately detailed silvered, patinated and gilt-bronze mantle clock by the prestigious firm of E.F. Caldwell & Co., New York. The case has a curvilinear silvered frame in the center mounted with gilt-bronze leafy scrollwork and two well-cast Satyr masks centered front and back. Below is the rectangular base with several decorative gilt-bronze moldings. At the back of the large circular top is the two-tone cast drum shaped cover with the decorative elements highlighted in gold.
The dial has a gilt-bronze decorative fretwork that embellishes the center, typical Caldwell type engraved hands and Roman numerals with engraved fretted designs for the half-hour marks cast into the dialplate and echoed on the back.
The 30-day time only double-wind Seth Thomas movement has a balance wheel escapement and is wound and adjusted for fast slow out the front.
Ref: Edward F. Caldwell and Victor F. von Lossberg established the firm of E.F. Caldwell & Co. in 1901 in lower New York City. They produced a large array of high-end decorative items including lamps and clocks for the most prominent design and architecture firms in the country.
For further information on the company see 'Edward F. Caldwell & Company', Magazine Antiques, Feb. 1998.
All the Caldwell clocks we have seen have used Chelsea, Seth Thomas, Howard or Omega movements with Chelsea and Omega being the most abundant and Seth Thomas and Howard being considerably rarer.
Height - 16.5in.
Retail Price: On Request
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c.1910 American Ship's Clock on Mahogany Stand, Chelsea, 59,328.
Inv. #G81
A very nice 'Mahogany and Metal Base' ship's striking clock that was retailed by Bliss and made by Chelsea. The bronze case has a glazed hinged front door, a small enameled replica of the Memphis Yacht Club's flag and the engraved inscription, 'A Token of Friendship From the Boys of the Club, June 11, 1910' along the lower front edge and is screwed to a mahogany stand that still retains the original label on the bottom that reads 'Base or Support For Clock Patent April 18,1905.'
The silvered, engraved dial has Roman numerals for the hours, typical steel-cut hands and the fast slow lever above the retailer's inscription, 'John Bliss & Co., New York'. Interestingly the dial is not brass like the later examples, but a lead core veneered with a thin layer of copper in keeping with the methods and materials of the earlier clocks.
The eight-day time and ship's striking movement has a balance wheel escapement and is stamped with both the appropriate patent dates and the serial number, '59,328'.
Ref: According to the Chelsea records the serial number, '59328' dates the movement to 1910.
John Bliss was joined by his son in 1855 and established the firm 'John Bliss & Son' in New York. He died in 1857 and the name of the company was changed to 'John Bliss & Co' which endured for over a century.
Dial Size - 8.5in.
Retail Price: On Request
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c.1850 Miniature Japanese Shitan Wood Pillar Clock with Original Case.
Inv. #G104
A good quality Edo period Japanese Shitan wood miniature pillar timepiece with original carrying case. The clock case is constructed from nicely grained and colored Shitan wood and retains both the drawer used to hold the original winding key and the original glazed removable hood with slide out front door.
The one-day, weight-driven brass movement is screwed to the backboard, has an engraved skeletonized front plate, a verge escapement regulated by a shaped brass balance wheel and has finely turned decorative corner and movement posts, wheelwork and arbors.
The scale, secured by hook at the bottom and screw at the top, has thirteen adjustable silvered engraved temporal 'hours'. The lead weight carries the shaped brass hand that points to the time as it descends through the day.
The vast majority of pillar clocks are over sixteen inches long. It is exceedingly rare to find such a wonderfully preserved example in a diminutive size with the original carrying case.
The characters on the case seem to make reference to the fact it contains an instrument that indicates the Royal time.
Height of Clock - 12.5in.
Retail Price: On Request.
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c.1850 Japanese Lacquered Mulberry Wood Pillar Clock.
Inv. #G54
A rare Edo period Japanese lacquered Mulberry wood pillar clock. The case, decorated with gold makie lacquer depicting scrolling foliage and 'mitsu' tomoe, is fitted with a drawer at the bottom for the original key and retains the original lift-off hood with removable front door.
The one-day, weight-driven brass movement is screwed to the backboard, has an engraved skeletonized front plate, a verge escapement regulated by a slender brass balance wheel and finely turned decorative corner and movement posts, wheelwork and arbors.
The black-lacquered two-sided scale is secured to the clock by two silvered brackets and has the temporal hours in gold lacquer. The lead weight carries the shaped brass hand that points to the time as it descends through the day.
Most likely the clock was originally furnished with seven two-sided scales. This would allow the owner to change the scales and thus regulate the clock as necessitated by the Japanese system of timekeeping. It is extraordinarily rare to find a pillar clock with the full compliment of scales unless it was originally fitted with storage compartments. Once the temporal hours were eliminated and Western time became the norm the extra scales became unnecessary and often were lost by subsequent generations.
The 'mitsu' tomoe reflects the threefold division of Shinto cosmology, and is said to represent the earth, the heavens, and humankind. It is also often associated with the Shinto war deity Hachiman and is sometimes referred to as the whirlpool. A tomoe-mon is a tomoe used as a kamon, or family crest, a device similar to a coat of arms. During the Edo period the use of crests exploded as the emperor's dictates required the Daimyo to maintain homes in both their home provinces and Edo and also to have their mon on all the things they carried in the processions between the two as to receive the proper respect during the trip. Many famous generals and daimyo used the 'mitsu' tomoe kamon including Utsunomiya, Yamamoto and Ujiie.
Height - 16.25in.
Retail Price: On Request.
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c.1820 Animated Austrian Picture Frame Clock
Inv. #G36
A great small early 19th century animated picture frame clock. The finely painted oil on metal painting is in pristine condition and shows the villagers in varying pursuits of work and play on the banks of the river near the edge of the village. The waterwheel for the mill is animated and turns as the clock runs.
The one-day movement strikes on a gong and shows the time on the porcelain dial that is housed in the old church steeple. It runs the waterwheel by string and pulley from a pulley located on the same arbor as the contrate wheel.
The whole is in a wonderfully detailed gilt frame.
Overall size: 19.5in x 15.5in.
Retail Price: On Request.
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c.
1845 Japanese Watch in a Shitan Wood Inro Case.
Inv. #J8
A good quality Japanese inro watch with an ormolu movement and shitan wood
case. The case is suspended by a cord, with a bone hook netsuke and a cloisone
bead ojime, which passes through the side chanels and wraps around the base.
It has a removeable top with a compartment for the key and a turned glazed
bezel screwed to the front. The one-day movement has engraved passion flower
fretwork plates front and rear, a going-barrel which is wound through the
back, four finely turned posts, five spoke wheels throughout and a cylinder
escapement. The escapement is mounted to the backplate, has a flat five
spoke steel balance wheel, a flat hairspring, and a shaped fast slow lever.
The turned convex dial has moveable numbers, two hands with the motion work
located underneath and can be viewed from inside the case. The silvered
engraved character plaques represent two sequences of nine to four with
the two zodiac symbols for the number nine used to represent midnight and
noon. Although the movement exhibits strong ties to European traditions
the workmanship and metalwork are definitely Japanese.
Height of movement - 2.25in.
Height of case - 2.75in.
Retail Price: On Request. |
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c.1935
American 16-inch Library Globe with Mahogany Stand by Replogle, Chicago.
Inv. #G20
A very nice pre-World War II 16-inch library globe made by Replogle. The
large globe is extremely detailed and includes distances between major
cities, currents in the larger bodies of water, a detailed labeling of
the topography and is signed and dated by the manufacturer.
This particular model has a fully numbered cast meridian and not only
spins, but can also be rotated upwards to examine the South Pole. The
globe is cradled in an exceptionally well made mahogany Regency-style
stand with patinated brass claw feet.
Replogle Globes was founded in 1930 by Luther Irwin Replogle. Originally
located in Chicago, Illinois, they developed the concept of 'a globe
in every home.'
Height - 39in.
Retail Price: On Request.
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