
| c.1785
Dutch Animated Marquetry Tallcase Clock, P. Hoffman, Leyden. A
very nice 18th century animated marquetry tallcase clock by P. Hoffman,
Leyden. The nicely colored and figured walnut veneer has extensive floral
inlay that includes people, birds and flowers. Mother and pearl and ivory
flowers and accent pieces throughout the case accentuate the wood inlays.
The hood has attached columns with brass capitals, a swan’s neck
top with a carved centerpiece, frets on three sides, a removable top and
three gilt-wood finials. The trunk is chamfered on the front corners,
has a shaped door with extensive inlay, cross-grained edge moldings and
a brass escutcheon of a female figure riding a bull over the glazed opening.
The whole sits upon a bombay bottom with matching inlay and animal feet.
The animated brass dial has brass spandrels, a finely matted and engraved
center with apertures for both the calendar and moondial, silver, engraved
chapters including the hour, seconds, moondial and calendar, silver engraved
signature plates signed ‘P. Hoffman, Leyden’ and a painted
animated scene in the arch. The panoramic animated harbor scene includes
a finely painted harbor city as the background of several waves, sea monsters
and ships that all rock as the clock runs. The ‘typically’
Dutch 8-day movement has turned pillars, an anchor escapement and is both
Dutch and quarter-striking. At the hour it strikes the hours on the low
bell, at the first quarter it strikes once on the low bell, at the half-hour
it strikes the next hour on the high bell, at the third quarter it strikes
once on the high bell. Unfortunately, as is the case in many Dutch tallcases,
this clock fell victim to a lazy repairman who removed the alarm mechanism. |
|
| c.1880
Rosewood Marine Barometer with an Improved Sympiesometer, Ray, Liverpool.
A nice Victorian rosewood marine barometer
with a Sympiesometer and the ivory label of the retailer, ‘J. W.
Ray & Co., 60 Dale St., Liverpool’. The rosewood case has a
square molded top, engraved ivory scales, a sympiesometer, and a cylindrical,
brass cistern cover. The scales slope inward, are numbered 27-31 in 10th
increments, have the appropriate weather indicators including ‘9am.
Yesterday’ on the left and ‘9am.Today’ on the right,
have two verniers controlled by rack and pinion and set by the two removable
knobs below the scales and are protected by a heavy beveled glass. The
‘Improved Sympiesometer’ has silver engraved scales, uses
air and colored sulphuric acid for the barometric tube and has a Fahrenheit
temperature scale with a mercury tube. The cylindrical brass cistern cover
contains the screwed boxwood cistern. |
|
| c.
1825 English Mahogany Stick Barometer, Hunter, 50 High St., Ramsgate.
An
early 19th century English stick barometer with exposed tube signed ‘Hunter,
50Hhigh St.’, Ramsgate’. The case with nicely figured mahogany
herringbone veneer, an arched top, a molded edge with border stringing,
silvered, engraved scales and a hemispherical cistern cover. The barometric
scale is signed by the maker, ‘Hunter, 50 High St., Ramsgate’,
is numbered 27-31 with 10th divisions and the appropriate weather indications,
and has a friction set Vernier. The temperature scale is in Fahrenheit
and has a mercury tube. The boxwood cistern is concealed by a particularly
well-turned cover and is housed in the base with a fixed adjusting screw
regulated out the bottom. The whole is in restored condition. |
|
| c.1860
Oak Bow Front Barometer, Negretti and Zambra, London. A very nice Edwardian oak bowfront barometer by Negretti and Zambra, London. The oak veneered case has a flat-molded pediment top, a thermometer, and a turned urn-form cistern cover. The engraved ivory register plates are signed by the maker, ‘Negretti and Zambra, 107 Holborn Hill, 1 Hatton Garden, 59 Cornhill, London’, have readings from 27-31 with the appropriate weather indications for both ‘10am. Yesterday’ and ‘10a.m. Today’ and have Verniers set by the two ivory knobs just below the dials. The glazed thermometer has an ivory scale, a mercury tube and readings for both Centigrade and Fahrenheit. The base, which houses the boxwood cistern, has an oak urn shaped cistern cover and a fixed adjusting screw controlled out the bottom. The vast majority of the bow front barometers of the early 19th century were mahogany. After about 1850, however, oak became increasingly more popular. Negretti and Zambra had clients who appreciated the earlier designs, but also appreciated the aesthetic qualities of oak. In their catalogue for 1859 all the ‘classic’ designs are shown and are available in mahogany, oak or rosewood. For additional information on Negretti and Zambra see: Barometers by Bolle, pg.41, Barometers by Banfield, pg.125, The Italian Influence on English Barometers from 1780 by Banfield, pg.127 and English Barometers by Goodison, pg. 190. Height – 38in. SOLD |
|
| c.1810
French Ormolu Blackamoor Clock.
A rare French Empire ormolu blackamoor
mantle clock. The clock is an allegory of trade. Centered is the ormolu
bale with a paddle, anchor and rum jug, all symbols of trade or shipping,
leaning against one side. On the other side the young muscular patinated
seaman casually leans against the ormolu cotton bale while smoking his
pipe. His calm expression, white eyes and redenned lips are particularly
expressive and although his legs are crossed and he carelessly dangles
a twisted rope from his hand, there is still a feeling of movement in
the composition. |
|
| c.1800
French Ormolu and White and Black Marble Mantle Clock, Bergmiller à
Paris.
A large French Directoire ormolu and black
and white marble mantle clock by Bergmiller à Paris. The impressive
case has two pilasters with outset and inset corbels that are surmounted
by two patinated sphinxes and adorned with numerous ormolu mounts that
include female egyptian themed terms, foliate apliques, beading and urn
form finials. Below the drum cased movement is an ormolu drapery and above
is a large multi-pieced column that is surmounted by an ormolu eagle with
large outstretched wings. The whole sits upon a shaped marble base with
several mounts that include floral appliques, cast feet, beaded edging
and three inset ormolu freezes that depict putti in various persuits of
work and play. |
|
| c.1795 Ormolu and White Marble Mantle Clock, Meuron & Comp, 9082. This
very nice Louis XVI ormolu and white marble quarter-striking mantle clock
is signed by the maker, Meuron & Comp, both on the dial and the backplate.
It depicts two wonderfully cast and modeled ormolu dogs that support the
top portion of clock. The scene above depicts cupid flying amongst the
clouds. In one hand is his torch while in the other is the end of the
garlands which serve as the dogs' leashes. The whole sits upon the shaped
white marble base which is adorned with numerous mounts, including baskets
and garlands, and stands upon four toupie feet. The white porcelain dial
is signed by the maker, the name encircled in gold, has nicely cast and
unusually shaped ormolu hands, black Arabic numerals, gold dots as the
five-minute markers and black stars as the minute markers. The eight-day
two-train movement has a flat bottom, is quarter-striking on two bells
and still retains its original silk-thread suspension with the fast/slow
operated through the dial. The backplate is signed and numbered by the
maker and carries the strikework. Guglielmo Meuron is listed in Tardy's
dictionary as a maker of high-end travel clocks, many of which were provided
to Breguet. This would give some explanation as to why the clock is quarter-striking
and why the strike-work is located on the backplate. Height 17in. For
a similar clock see La Pendule Française, pg.278. |
|
| c.1840
Miniature Japanese Shitan Pillar Clock. A
rare, exceptionally fine quality miniature Japanese pillar clock. The
Shitan wood case still retains its original lift-off hood, removable wood
scale and a drawer to store the key. The hood has a removable sliding
front door, is glazed on three sides and is held in place by a swing latch.
The weight driven movement has a verge escapement with a brass balance
wheel, crisply turned pillars and wheelwork and an engraved front plate.
The crescent-shaped hand is mounted to the lead going weight and indicates
the time on the original 13 adjustable, silvered and engraved plaques
that are pinned to the removable scale as the weight descends. |
|
| c.1895
Gilt- Bronze, Porcelain and White Marble Annular Dial Clock, P. Grennon,
France.
An exceptional small, gilt-bronze, white marble and porcelain annular dial clock by Paul Grennon, Paris. The main body and removable lid of the urn are white porcelain decorated with colorful floral elements. The whole is in absolutely pristine condition. The time is indicated by the snake rising from the white marble base. Unlike many small annular clocks with single piece hour rings this model has multi-piece annular rings for both the hours and the minutes. The eight-day time-only movement retains its original balance wheel escapement and is wound and regulated through the top once the lid is removed. The whole sits upon a custom made figured marble base of equivalent quality to the piece. This is the first small urn clock in porcelain that we have owned. Paul Grennon, listed 1900-14, was one of the successors to Farcot. Height 13in. SOLD |
|
| c.1873
French Gilt-Bronze, Red Marble and Enameled Annular Globe Clock, Antoine
Redier, No. 220. A
rare, enameled annular globe clock by Antoine Redier. The colorfully enameled
globe shows the continents, oceans, countries, cities and numerous other
geographical locations, in English, is gimbaled in a gilt-bronze frame
on a red marble base, and rotates once per day. It is monogrammed within
a Cartouche by the maker, Redier, and is dated, 1873, above the cartouche
and underneath the equatorial band. The stationary steel pointer has an
applied sun, originates from the North Pole and indicates the time on
a gilt-bronze segmented equatorial band that has individually applied
porcelain Arabic numbers arranged in two sequences of 1-12 running from
east to west. |